Many
years ago, my husband and I got a sweet dog that had been abandoned as a puppy
in a field near Atlanta, Georgia. A family had found him and one of the
children gave him the name, Brian, after a school friend. Brian was a lovable dog and also happened to be
a huge fan of broccoli. I was a first grade teacher at the time and we thought
this would be a fun way to get children to eat broccoli. In the story, Brian
and his best friend, Milo (our second dog) are consumed with the daily chase of
Fraidy cat (my parents’ persnickety pet).
The story follows the dogs’ constant pursuit of Fraidy and Milo becoming
trapped in a mud-filled pig pen. Brian comes to the rescue with his handy pouch
of broccoli which gives him amazing strength. We sketched the pictures and an
artist created the colorful images. All those years ago, we envisioned a series
in which Milo lands in difficult situations and is always rescued by Broccoli
Brian. Last year, Brian passed away after sixteen wonderful years with us and
Milo also recently died. We planted a tree in our front yard with Brian’s
ashes. The book is a testament to our devoted family pets and our love of
books.
Saturday, December 14, 2013
The Story of Broccoli Brian
Friday, November 22, 2013
Nature: My Muse
Live in each season as
it passes; breathe the air, drink the drink, taste the fruit, and resign
yourself to the influence of the earth.
― Henry David Thoreau – Walden
― Henry David Thoreau – Walden
I don’t usually
use this blog for personal musings but this night, I felt compelled to share
one of my favorite places and my affinity with nature. As a college English instructor, I was honored
to accept a substitute position this fall teaching at a campus at which
I normally don’t work. Other than the great challenge of teaching an 8:00 am
class to college students and ferrying my children out the door at an early
hour, it has been a blessing. I adore my students and feel that we have really
made some excellent academic strides.
This post refers to the perk of my new post. Friday runs at
my special place at sacred battlefield in Northern Virginia. I have spent hours
and trekked many miles at this special place of battle. My convergence with
nature in all seasons of the year has brought me immeasurable joy. I have had
some wonderful experiences and runs along these natural trails. In each season,
there are new images of life and nature that are forever imprinted in my heart.
The travels are also imprinted with the lovely souls that run with me and share
their communion. I would never trade
these times for a tennis bracelet or a trip to the mall. When I inhabit this
space, I truly feel at home. I think Mr. Thoreau was a cutting edge thinker. In
nature, we are in the zone and truly present in the moment. In this month of
thankfulness, I am grateful for my special space in Virginia. I honestly feel
that I am blooming where I am planted.
Wednesday, October 23, 2013
Monday, October 21, 2013
Saturday, October 19, 2013
Wailin' Jennys - Arlington
A dear friend recommended this amazing band - I am passing her gift to you!
Check them out and follow them.
http://www.thewailinjennys.com/
Check them out and follow them.
http://www.thewailinjennys.com/
Tuesday, October 8, 2013
The Last Resort - Dan Llywelyn Hall - Art
Dan Llywelyn Hall
Recent Work - The Last Resort
Saturday 23rd November 2013 @Chase House, Richmond, London
A solo exhibition of recent paintings. Inspired from trips to Crete, France and the Canaries, the exhibition will explore ideas concerned with travel. Please register your email above if you would like to be sent an invitation to this exhibition.
Click here to view selection of work on show
Thursday, July 18, 2013
The Sound of Paper: Starting from Scratch - Julia Cameron
The Sound of
Paper: Starting from Scratch – Julia
Cameron (2005)
Julia Cameron is an American writer and teacher who is most famous for her 1992 book, The Artist’s Way, a legendary twelve week, self-paced nonfiction book that will inspire creativity and spirituality. The book is for the open-minded reader and cultivates an immersion into writing and nature. Cameron’s most recent work in her extremely prolific career is called, The Artist’s Way for Parents: Raising Creative Children (2013). I have read many of her books and am currently devouring, The Sound of Paper: Starting from Scratch (2005). I have had a busy summer and wish I had many more hours to devote to this amazing book. This nonfiction, personal narrative is beautifully and thoughtfully written, with exercises at the end of each of chapter for enhancing a sense of creativity and exploration that many of us have lost in our vigorous pursuit of work and productivity. Cameron’s books assist in helping the reader slow down and she uses writing as a meditation tool that will positively influence all endeavors of readers' lives. Her work will have a profound effect on your own life if you follow her plan.
Cameron’s books are meant to assist in the internal awareness of an individual and help us explore the spiritual nature of our existence. In my review, I ask all readers to be open and read her ideas with a kind heart. There are exercises that require some inner work and they are magnificent for personal growth. Ms. Cameron writes that we ourselves are all creations and therefore, our creativity stems from inspiration – the Latin word for “spirit.”
In The Artist’s Way and many of Cameron’s works she follows an interesting formula: 1. The Morning Pages: set your clock for thirty minutes earlier than normal each day and write three pages in a journal or spiral notebook (it must be longhand and no computer is permitted; you can get a cup of coffee, but this writing is meant for the moment you wake). The pages might not be “real” prose but anything you wish to write. It is meant for clearing mental clutter and having an intimate conversation with yourself. You will eventually gain some real insights about yourself from the pages and see growth in your life. 2. The Artist’s Date: Set a few minutes to an hour each week to explore something that interests you: examples - a museum, fabric store, nature trail, art store, the Goodwill, a bookstore, etc. – follow your heart and just get lost somewhere for ten minutes to an hour. Cameron says, “Think pleasure not duty.” 3. Walk – get outside and walk if only for ten minutes a week. Be with nature. The best scenario is to walk or run every day for thirty minutes to an hour. This formula is so very simple and takes a bit of discipline but the rewards are amazing.
In The Sound of Paper, Cameron shares her experiences and stories regarding living a creative life. She often reverts to her magical formula and describes that we all have a creative side (everyday, we unconsciously make many creative choices in our lives). The author and some of my most interesting friends have been doing the pages for over twenty years. I have been doing the pages, artist’s dates, and running in outside for the last seven months and recommend Cameron’s formula for all who read this post! I hope this writing will generate some creativity in my readers; it truly benefits everyone when we create.
Cameron quotes author, Henry Miller, : Develop an interest in life as you see it; in people, things, literature, music – the world is so rich, simply throbbing with rich treasures, beautiful souls, and interesting people. Forget yourself…. (55). Enjoy the journey and this amazing book!
Wednesday, May 1, 2013
My Foot is Too Big for the Glass Slipper: Gabrielle Reece
My Foot is Too Big for the Glass
Slipper: Gabrielle
Reece
On an
ordinary Saturday morning, I was beyond excited when this new book arrived on
my doorstep. My Foot is Too Big for the Glass Slipper: A Guide to the Less than
Perfect Life is the second nonfiction book by volleyball icon, fitness
expert, and devoted mother, friend, and wife: Gabrielle Reece. The author also wrote an earlier book called Big Girl in the Middle, which I count as
a favorite for inspiration on cultivating a hard work ethic with regard to lifestyle
and fitness. On a side note, Ms. Reece
is married to surfing legend, Laird Hamilton, a fitness guru and proponent of
healthy living. In my Northern Virginia hometown, I may have the local library
record for the amount of times I have checked out his book, Force of Nature, which is sort of the
key to his amazing philosophy on life, fitness/ exercise tips, and a glimpse
into his healthy vibe.
Being a lucky book blogger, I was able to read
My Foot is Too Big for the Glass Slipper
the day before its mainstream media release. (Note: I collect books the way
many women collect shoes!) First of all,
I love the self depreciating and cheeky title which drew me in with its humor
and honesty. I proceeded to read the
book in the span of two days and it scored off the charts on my meter of
“unputdownable.” I meant to review the
book the next day but due to a full-time teaching career, motherhood, and
graduate studies – the review would have to wait. The book has so many positive messages and
wonderful advice for the modern wife and mother. My favorite theme is that of
exercise. Ms. Reece is a preacher to my own cause and core philosophy that
to feel good and be productive in life, some sort of exercise is imperative
every day. Reece writes, “Regular
exercise is the secret to everything” (61) and “Its not only the natural cure
for depression, but also deals out all those great endorphins, the world’s best
high, natural or otherwise” (61). As a
runner, yoga enthusiast, and a lover of sports in general (mind you, this
evolved later in life for me), this is one of the most important themes of this
illuminating book. I could spend volumes
ruminating on the life changing and hugely beneficial aspects of exercise and
getting out in nature on a daily basis. Studies show us that even a thirty minute
daily walk can have enormous health benefits!
Reece shares
a lot of personal anecdotes on marriage, childrearing, and the value of female
friendship. Unfortunately, the mainstream media glommed on to one sentence she
mentioned on keeping equilibrium in a relationship with ones husband by
sometimes being “submissive.” I hardly
remember this portion of the book and it’s unfortunate that this became the
spotlight topic in her interviews. As a
reader of the author’s earlier piece and being a huge fan of her husband’s
book, I feel that their main message is too keep life natural, simple, filled
with activity, and time spent on family.
Ms. Reece is not trying to sell a gimmick but kindly shares the intricacies
of both the highs and lows of a lifestyle that works. I loved this book (even though I was
disappointed the author has only one vice: chocolate). Overall, this is a fabulous book by a women
who does not pretend to have it all and is brave enough to put her personal
life choices out for the masses to chew on. Five big stars to My Foot is Too Big for the Glass Slipper!
You will be wiser, more motivated, and possibly healthier and thinner for
reading this fantastic book.
Make sure to read another favorite by Laird Hamilton: Inspiration on ocean life and surfing.
http://lairdhamilton.com/
http://lairdhamilton.com/
Saturday, April 20, 2013
Jennifer Howell, The Art of Elysium
On my recent trip to Los Angeles, I met Jennifer
Howell. Jen is a wonderful, down to
earth, and dynamic person. Jen is also a renowned philanthropist and amazing
human being. She is the founder of an interesting project. The Art of Elysium, a non-profit organization founded in 1997, encourages working actors, artists and
musicians to voluntarily dedicate their time and talent to children who are
battling serious medical conditions. They provide artistic workshops in the
following disciplines: acting, art, comedy, fashion, music, radio, songwriting
and creative writing.
What propelled you to create the charitable organization, The Art of
Elysium?
What is the overall mission of the Art of Elysium and the meaning behind
the name?
That seems like the most straightforward
question that you could ask but it is one of the hardest things to answer. In a simple sentence, the Art of Elysium
bridges the artistic community together with hospitalized children to provide a
creative outlet for them to express their experiences and serves as a form of
distractive therapy. However, that is
the very beginning of this mission. I
was fortunate enough to start taking artists into the hospitals from August
1997-December of 1997 before starting the Art of Elysium. I got to witness not only the impact the art
workshops had on the patients and their families, but the impact it had on the
artists. We would leave the hospital and
the artist would be inspired to write, paint, and perform because of their
experience. I believe the greater
mission of the Art of Elysium goes something like this: these amazing children are our spiritual
warriors and teachers; they are going through things that most of us will never
experience. Our gift is getting to be of
service to these children while they are facing these grave circumstances and
through our gift of art, music, writing, dance, fashion design, etc we can give
them a voice to express themselves during this time. Hopefully, this gift of expression will go
with them even after they are discharged from the hospital. It is my belief that artists are forever
changed through these experiences, and if we are creating an artistic community
that creates from a place of service then we can change the world at large
because artists are the true reflection of our society. We try to do all of our fundraisers through
an artistic endeavor and try to support the artists that volunteer and dedicate
their hearts and souls to working with our children. They are the role models that I would love
for people to look up to and be inspired by.
Although we have a standard mission statement, it is something that I
think about all the time because there is no way to describe the full circle of
the Art of Elysium to people unless they have gone in and experienced what we
do first hand. The charity is much more
a movement of artists trying to create ELYSIUM by being of service.
How do you find interested celebrities and artists for your
work?
We don’t look for celebrities to be
involved with the charity. The
celebrities that volunteer with us have all come from word of mouth and I do
not look at them as celebrities, but as artists just like all of our other
artist volunteers. The only thing that
our “celebrities” can do that our other artist volunteers cannot is bring
attention to our cause and help raise money through various endorsements,
etc. We are so greatly appreciative for
all of their support and what they do. However, the charity is in no way a
“celebrity charity,” and I feel that because we have so many artists who are
successful and in the media that people do not realize that our mission is to
bring artists at all levels into hospitals to share their talent and artistic
expression with children.
Can you share a bit about your friend who was the catalyst for
the project and his legacy?
Stephen Lane Hatten was one of the
greatest guys that anyone could ever know.
After relapsing with leukemia, he did not think about himself, but
thought about the children that he saw in the hospitals while he was in for his
treatments. His selflessness was the
call to action that changed my life. He
is with us every single day, in every workshop, every gallery exhibit, and
every artistic endeavor and by our side for every challenge that we face. His family is still in Hattiesburg,
Mississippi and I pray that the Art of Elysium forever honors Stephen and the
set of principles that his family gave him to live by. You never realize who the most important
people in your life really are. Tara
Williamson (Stephen’s girlfriend/my best friend from childhood) has been my
rock my entire life and I would not be who I am today without her and always
knew that she would help shape my identity.
I did not know that when she called me to come home and be with her and
visit Stephen that Stephen Hatten would become the single most important person
in my life. He is the one who has shaped
my destiny and the future of the Art of Elysium and every artist that gets to
participate in an art workshop and every child who is given the gift of
expression.
How do you keep the artistic and monetary momentum alive?
The artistic momentum is really
easy….we are an artist charity first and foremost and each artist that comes in
has their own creative ideas and art projects.
They come in and discuss how they can help raise money through art
exhibits, music showcases, film projects and ideas that have probably never
even been thought of by anyone. I feel
creatively inspired every day and fulfilled with the knowing that these artists
are putting work into the world for audiences to see that come from a
fundamental belief that philanthropy comes first and giving is giving of
yourself. The overall monetary model is
an on-going work in process. We are
currently trying to look at the sustainability of the Art of Elysium and make
certain that the charity and our mission will be around from here to
eternity. We are trying to begin
building an endowment fund and it is a new endeavor. I am actually meeting with someone this week
to start looking at a long term strategy.
What are the grassroots elements of the project and how do you
help the real life beneficiaries of the Art of Elysium in hospitals?
The grassroots elements with the Art
of Elysium happen after every workshop.
An artist goes in with their art project and shares it with one patient
or a group of patients. They leave the
hospital and let’s say they go to the recording studio to meet their band and
they tell them about the experience. The
next thing that happens is our phones start ringing at the Aof E offices with
new artists wanting to come in for volunteer orientations and when they can get
into the hospital for a workshop. That
is truly how this organization has grown.
Saint Francis said, “It is in giving that we receive.” I think that our volunteers understand this
better than most and when they talk about their experiences people see
something that inspires them to be of service too.
Where do you see the mission for the Art of Elysium in ten years?
I would love to have Elysium Centers
where our artists could have recording studios, art studios, design studios,
sound stages, etc for their use to create their art. The way the center would work is that you
could have access to it based on volunteer hours in the hospital with our
patients. When children are discharged
from the hospital, they could also come to the space and continue the art
workshops they started while in the hospital.
I see it as creating an entire community of artists that give by
directly sharing their own gift of creation with a child in need. I think that the possibilities are limitless
when you have artists willing to reach inside and find ways to share their
creativity. I just would like to know
that the mission is ever-changing, ever-growing, and ever-creating in a way that
can help heal our children, our artists and our world.
As the Art of Elysium evolves, do you see it going nationwide and to
other countries?
I would love to see the Art of Elysium
in any city, any country, anywhere where there is a child in a hospital and an
artist in their community that is willing to share their gift of art.
Can you share some current projects and artistic ideas that inspire you?
The Art of Elysium’s ELYSIUM INDUSTRY
program has just finished our first feature film called FOREVER. The director is Tatia Pilieva and she has
been a long time volunteer and is the first recipient of our TAHNEE AWARD. This film is the heart of our mission and
shows how all of our volunteers come together and create something
magical. Mark Mothersbaugh did the score
for the film, Shepard Fairey is currently working on the movie poster and marketing
materials and our cast was mainly our volunteers: Ioan Gruffudd, Shanola Hampton, Rain Phoenix
and more. It is a beautiful film and we
are currently getting ready to take it out and share it with the world. The back end of the film will come into the
Art of Elysium and hopefully help us start building our endowment fund. It is a project that I am super proud of and
a model that I think will truly help us become self-sufficient through our
artistic endeavors.
http://www.theartofelysium.org/
http://www.theartofelysium.org/
Monday, April 15, 2013
Artist Dan Llywelyn Hall: Vantage Point, An Exhibition of Works
SANDRA HIGGINS
presents an exhibition of works by
DAN LLYWELYN HALL
Vantage Point
Gallery Petit, Chelsea, London
21 March - 19 April
This unique exhibition will showcase landscape paintings by renowned Welsh artist Dan
Llywelyn Hall, accompanied by previously unseen studies for his recent portrait of Her
Majesty, Queen Elizabeth II. The show is in conjunction with the anticipated Cardiff
unveiling of the artist’s portrait of the Queen, commissioned by the Welsh Rugby Union.
..............
Dan Llywelyn Hall graduated from the University of Westminster in 2003 and in the same year was
awarded The Sunday Times Young Artist of the Year prize. Subsequently, he was shortlisted for
the BP Portrait Award in 2009 and since then has continued to attract collectors from a variety of
museums, public institutions, corporations as well as private individuals. Llywelyn Hall’s portraits of
First World War veterans Henry Allingham and Harry Patch were recently displayed at Windsor
Castle and are now a permanent feature in the Royal Collection. The Cardiff born artist also
currently has work on display at the National Gallery of Wales, the Imperial War Museum (London),
the House of Lords, BT’s corporate collection, Barclays’ corporate collection, the Museum of
Modern Art Wales and the Contemporary Art Society of Wales.
The Queen's Portrait
A portrait of Her Majesty the Queen commissioned by the Welsh Rugby Union has recently been
completed by Llewelyn Hall. Following a sitting with the Queen late last year at Windsor Castle, the
finished portrait is an imposing three-quarter study, painted on a 5ft by 4ft canvass in an
expressionist style. The image is literally larger than life and Llywelyn Hall says he was particularly
keen to reflect the humanity of his subject.
“To have been granted a sitting with Queen is an ambition fulfilled and it has been an enormous
privilege to be asked to create this work,” says Llywelyn Hall. “As anyone who has ever met Her
Majesty will know, it is simply awe inspiring to be in her presence and I wanted to relay that feeling
as well as showing the very human side to the Queen’s personality."
Haunting Landscapes
Dan Llywelyn Hall, Motif on Autumn Sky, 2007, oil on canvas, 76.5 x 61 cm. Courtesy of the artist
As well as exploring portraiture, Llewelyn Hall’s work displays his keen interest in landscape
painting. His approach towards landscape painting is a crossover between two great traditions:
boldly painted surfaces combine the Romantics’ attempt to embody human feeling and thought
with the Expressionists’ raw quality of a form, and sense of immediacy. Llywelyn Hall takes the
nostalgic vision of landscape painting and rejuvenates it with a free use of colour. In this way, he
creates a new and authentic genre, making a significant contribution to the recent revival of
landscape painting in Britain. His work owes much to the legacies of William Blake and Samuel
Palmer, along with the Neo- Romantics of the 1940s such as John Piper, Michael Ayrton and
Llywelyn Hall’s compatriot, David Jones. Agitated brushwork and simplified ornaments also expose
the formative influences of Chaim Soutine and Henri Matisse.
‘Landscape creates the theatre, the set, for much more crucial things. Landscape painting these
days has had such a bad press, a stigma – as a genre it’s mistreated by contemporary art. You
can’t really make it ironic, and that’s its drawback for contemporary art galleries...[to me] irony is for
people who haven’t got any backbone, who are afraid of putting their emotions into the work. I
think you’ve got to be very brave if you’re going to make something that is heartfelt and
meaningful, you’ve got to be prepared to put yourself on the line. That’s absolutely essential.’
Dan Llywelyn Hall in conversation with Andrew Lambirth, THE SPECTATOR
Mystical, spiritual and sublime in character, the beauty of Llywelyn Hall’s landscapes evokes in us
a sense of passing time and our own mortality. While the starting point for his images are concrete
locations, Llywelyn Hall confronts the viewer with worlds infused with his own personal response,
shaped by his feelings and moods. As the personal aspect is given a priority over an objective
depiction, the resulting imaginative scenes invite an inward contemplation on the viewer's part.
Lost in the winding paths leading towards the furthermost horizons, a recurring motif in Llywelyn
Hall’s work, the spectator is captivated within the haunting landscapes.
‘Dan Llywelyn Hall follows a tradition which first flourished amid the dreams of the Romantics. He
is part of that visionary lineage of painters for whom landscape became an embodiment of human
feeling [... yet] his paintings work to conjure a fresh, idiosyncratic and fundamentally modern
mood.’
Rachel Campbell-Johnston, THE TIMES
‘For Llywelyn Hall, certain places seem to have a talismanic quality, a genius loci or 'spirit of a
place'. Before making a painting he usually decides on a location, and then takes photographs.
After that he strips away what he calls ‘evidence’ to leave the raw essence of a form which he
explores through his intense, free use of colour.’
Sue Hubbard, THE INDEPENDENT
A collection of Llywelyn Hall’s landscape works will be on show, alongside several studies for his
recent portrait of the Queen, at Sandra Higgins’ Gallery Petit in Chelsea. The exhibition will run
from Thursday 21st March to Friday 19th April. The artist will also be giving a talk with his personal
reflections on painting the Queen.
For more information about the exhibition, artist’s talk, or to arrange a viewing by appoin
tment Sandra Higgins at sandra@sandrahiggins.com or info@discoverartnow.co.uk
Note to Editors
The exhibitions will be accompanied by a catalogue with essays by Rachel Campbell-Johnston
(Chief Art Critic at The Times), Andrew Lambirth (Art Critic for The Spectator) and Sue Hubbard
(Independent Art Critic, writes regularly for The Independent and The New Statesman).
Both exhibitions are curated by Sandra Higgins, an Independent Art Advisor and Curator, Owner of
the Gallery Petit and the Founder of Discover Art Now. To see Sandra’s full profile:
Discover Art Now
Discover Art Now is a programme of events, private receptions, studio visits and talks launched by
Sandra Higgins, an Independent Art Advisor and Curator with over 20 years' experience in the art
world. For further information: www.discoverartnow.co.uk
Fact Sheet
Exhibition Title -- Vantage Point
Exhibition Dates -- 21 March - 12 April
Location -- Gallery Petit, Chelsea, London; full address available upon request
Op ening hours -- By appointment only
Admission -- Free, please contact: sandra@sandrahiggins. com
For all enquiries, high resolution images and further information:
Sandra Higgins, Independent Art Advisor and Curator
E: sandra@sandrahiggins.com
M: 07721 741 107
W: www.sandrahiggins.com
Monday, April 1, 2013
Guest Post: Luke Murphy
From Professional
Hockey Player to Published Novelist
From a family of avid
readers, even as a child, I always had a passion for books. Whether it was
reading novels on road trips or writing assignments in school, literature was
always part of my life.
In the winter of 2000,
after sustaining a season ending eye injury while playing professional hockey
in Oklahoma City, I found myself with a lot of time on my hands, and a new
hobby emerged.
I didn’t write with the
intention of being published. I wrote for the love of writing, as a hobby. I
continued to hobby write through the years, honing my craft, making time
between work and family obligations.
Then I made a decision
to take my interest one step further. I’ve never been one to take things
lightly or jump in half way. I took a full year off from writing to study the
craft.
I constantly read, from
novels in my favorite genres to books written by experts in the writing field.
My first two purchases were “Stein on Writing”, a book written by successful
editor Sol Stein, and “Self-Editing for Fiction Writers” by Renni Browne and
Dave King.
I read through these
novels and highlighted important answers to my questions. My major breakthrough
from Stein’s book was to “Show don’t Tell”. I had to trust my readers. I even
wrote that phrase on a sticky note and put it on my computer monitor.
The Self-Editing book
helped me learn how to cut the FAT off my manuscript, eliminating unnecessary
details, making it more lean and crisp, with a better flow. I learned to cut
repetition and remain consistent throughout the novel.
I continually
researched the internet, reading up on the industry and process “What is
selling?” and “Who is buying?” were my two major questions.
I attended the “Bloody
Words” writing conference in Ottawa, Canada, rubbing elbows with other writers,
editors, agents and publishers. I made friends (published and unpublished
authors), bombarding them with questions, learning what it took to become
successful.
Feeling that I was
finally prepared, in the winter of 2007, with an idea in mind and an outline on
paper, I started to write DEAD MAN`S HAND. It took me two years (working around
full time jobs) to complete the first draft of my novel.
The first person to
read my completed manuscript was my former high school English teacher. With
her experience and wisdom, she gave me some very helpful advice. I then hired
McCarthy Creative Services to help edit DEAD MAN’S HAND, to make it the best
possible novel.
I joined a critique
group, teaming up with published authors Nadine Doolittle and Kathy Leveille,
and exchanging manuscripts and information. Working with an editor and other
authors was very rewarding and not only made my novel better, but made me a
better writer.
When I was ready, I
researched agents who fit my criteria (successful, worked with my genres, etc.)
and sent out query letters. After six months of rejections, I pulled my
manuscript back and worked on it again. Then in my next round of proposals, I
was offered representation by the Jennifer Lyons Literary Agency.
After months of editing with Jennifer, and more
rejections from publishers, my dream was finally realized in April, 2012, when
I signed a publishing contract with Imajin Books (Edmonton, Alberta).
What happens when the deck is stacked against you…
From NFL rising-star prospect to wanted
fugitive, Calvin Watters is a sadistic African-American Las
Vegas debt-collector framed by a murderer who, like the Vegas Police,
finds him to be the perfect fall-guy.
…and the cards don't fall your way?
When the brutal slaying of a prominent
casino owner is followed by the murder of a well-known bookie, Detective Dale
Dayton is thrown into the middle of a highly political case and leads the
largest homicide investigation in Vegas in the last twelve years.
What if you're dealt a Dead Man's Hand?
Against his superiors and better judgment, Dayton is willing to give Calvin one last chance. To
redeem himself, Calvin must prove his innocence by finding the real killer,
while avoiding the LVMPD, as well as protect the woman he loves from a
professional assassin hired to silence them.
“Dead Man's Hand is a pleasure, a debut
novel that doesn't read like one, but still presents original characters and a
fresh new voice.” Thomas Perry, New York Times
bestselling author of Poison Flower
“You may want to
give it the whole night, just to see how it turns out.”—William Martin, New York Times bestselling author of The
Lincoln Letter
Luke Murphy lives in Shawville, Quebec with
his wife, two daughters and pug.
He played six years of professional hockey
before retiring in 2006. Since then, he’s held a number of jobs, from sports columnist
to radio journalist, before earning his Bachelor of Education degree (Magna Cum
Laude).
Murphy`s debut novel, Dead Man`s Hand, was
released by Imajin Books on October 20, 2012.
For more information on Luke and his books,
visit: www.authorlukemurphy.com,
‘like’ his Facebook page http://www.facebook.com/pages/Author-Luke-Murphy/268343729930467
and follow him on Twitter www.twitter.com/#!/AuthorLMurphy
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